Not very far is another complex of buildings no less dazzling: the Arabic Reales Alcázares, which was expanded under the region of king Pedro the First, known as Pedro the Cruel, but to his friends Pedro the Just. Here there dominates a Mudéjar style worked down to the tiniest detail, and where the gardens set an essential counterpoint.
Successive
cultures have left their imprint on the city: the sturdy
columns of calle Mármoles
recall the cityás Roman past; the walls of the Macarena
neighbourhood, reconstructed during the Almohad period
or the extremely well-known Torre del Oro, among others,
that testify to the lengthy and productive Muslim presence
here; the numerous Gothic or Mudéjar churches (Santa
Marina, San Marcos, Omnium Sanctorum...) that define
so many areas of the city, and record the hand of Fernando
III.
The Renaissance apogee when, following the discovery
of the Americas, Seville became the axis for Spainás commerce
with the Indies, left in the city centre the magnificent
Ayuntamiento building, said to be the finest example of
its era, the severe Lonja bilding (nowadays the seat of
the Archivo de Indias) or various halls and chapels of
the Catedral, among other examples. Many of the grand Seville
edifices now have different uses, such as the colossal
Renaissance Hospital de las Cinco Llagas, now the seat
of the Parlamento Andaluz. In a knowing combination, both
Renaissance and Mudéjar styles dominate the Palacio
de las Dueñas and the Casa de Pilatos, both large
palaces.
The baroque left an equally profound mark on the city, with numerous churches (La Magdalena, El Salvador), hospitals (such as the hospital of La Caridad) or palaces (such as the Palacio de San Telmo), while its churches are populated with important works signed by some of the greatest painters in Spanish history. The vast Fábrica de Tabacos is today the seat of the University of Seville
Seville
hasnát lagged behind in history and has continued to enrich
itself with each generation, in the past century, for example,
from the regionalism of its wide Plaza de España in
the 1920s to the avant-garde bridges such as the Alamillo,
launched into space to mark the Exposición Universal
of 1992, in parts of whose terrain you can enjoy, today,
great and small, the alarums and attractions of the Isla
Mágica theme park, a short stroll across the river.
To know Seville demands that you immerse yourself in its neighbourhoods, from the delightful medieval Jewish Quarter to the modern streets of Triana across the river, the pretty Barrio de Santa Cruz, the impressive plaza de toros, bullring, of La Maestranza, the exquisite tower of Santa Ana, also in Triana.
A stroll through Seville can include a detour through its green zones, walking in its Parque de María Luisa and the Jardines de Murillo, an oasis of tranquility that explodes in spring with thousands of colours and aromas.
The exceptional richess of Seville also translates into its sixteen museums. Of sublime importance, the Museo de Bellas Artes, with its magnificent pictorial and sculptural works, and the Museo Arqueológico, with its array of treasures dating back millennia.

Not much further, however, from the city that looks back
and recreates in its past the shape of Seville today. Before
all, a city very well connected, with a busy and large
airport; the Tren de Alta Velocidad high-speed train; the
motorways (A92, A49...) that communicate with the other Andalucían
capitals and with the rest of the Peninsula; and including
the port, the first river port in Spain, now open to tourism;
the numerous bridges across its river, and an excellent motorway
serving the city as a ring road.
But at the same time, a city with its eye on the future, with Olympic aspirations and where international sporting events at the highest level are staged.

This
city, so extrovert, commercial and enterprising, coexists
with the intimate city of so delicate a beauty, such as
the dance of the álos seisesá, a religious-historic
event staged three times a year in the Catedral. Itás
also very true that the intimacy of the Seville convents
hides another very distinct treasure, los dulces, the cakes
and sweets traditionally made by the nuns, and it is unconceivable
to visit the city without stopping off in its temples to
gastronomy and its famous bars specializing in the thousand
and one ingenious popular tapas.
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